Free Projects
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Erik Freydank
Breitscheidplatz
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Frederic Brodbeck
0..1
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Ying Chen
Absconding
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Lorenz Raab
Analoge Brücke
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Akitoshi Honda
Artificial Appetizer
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Elisa Storelli
Assemblaggio N1
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Julius Fuehrer
A Thousand Seeds or the Right to Becoming
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Merani Schilcher
autoantibody.3 – Destruction of Self
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Frederic Gmeiner
Bericht über R.
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Alexander Hahn
Bioinformatics: Nature’s superiority over binary computing
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Susa Schmid
Blickskulpturen / Gaze Sculptures
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Bruno Gola
Bruto
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Ying Chen
Bubbles
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Tim Horntrich
Clock Choc
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Hsiao Li-Chi
Coffee And Kitty
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David Reitenbach
convincing ideas
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Jens Wunderling
default to public
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Constantin Engelmann
Der Kopist
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Valerian Blos
Design as Restriction / Restriction as Design
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Özcan Ertek
Devil's Rope: On a Journey of No Return
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Sven Gutjahr
Diaries of Alvin Fredriksøn
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Tim Horntrich
DropingNews
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Robin Woern
Ephememorion
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Orlando Helfer Rabaça
Footprint²¹³
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Julian Netzer
GOTCHA
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Erik Anton Reinhardt
Graphic Design
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Stephan Sunder-Plassmann
Hacking Memorials
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Martin Kim Luge
Hear the grass growing
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Christopher Hoehn
How It Was(n't)
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Tim Horntrich
ICSY TK 5000
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Julius von Bismarck
Image Fulgurator
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Willy Sengewald
Jammer Horn
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Florentin Aisslinger
Living with Matter
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Monika Hoinkis
Living with Things
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Sebastian Wolf
lovesmenot
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Andreas Schmelas
Machines At Work
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Merani Schilcher
Make Me A Weapon – Destruction of Context
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Julia Rosenstock
Meadow of carnivore plants
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Frederic Gmeiner
Memory Shapes
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Merani Schilcher
Mephista – Destruction of Other
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Ying Chen
My queer body, my ownership
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Piet Schmidt
möve
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Fang Tsai
Nahweh: the Unreachable
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Nicenboim Iohanna
Objects of Research
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Bill Hartenstein
Palio
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Vinzenz Aubry
pendel 1
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Hye Joo Jun
Phantom Limb
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Markus Kison
Pulse
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Kilian Kottmeier
Resource forecast
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Felix Worseck
Subordination/Unterordnung
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Frederic Brodbeck
Synthetic Flurry
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Stephan Sunder-Plassmann
Tagebilder
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Stephan Sunder-Plassmann
The Beauty of Oppositions
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Andreas Schmelas
The Space Beyond Me
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Julius von Bismarck
The Space Beyond Me
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Andreas Schmelas
The Visible Invisible
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Paul Kolling
thing <ser. no.>
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Elisa Storelli
This machine will not switch herself off
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David Löhr
Titan
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Niklas Söder
Unstable Trajectories
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Tilman Richter
Wall of Distribution
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Tilman Richter
Wall of Support
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Tilman Richter
Wall of Tendencies
Andi Rueckel
木
Andi Rueckel
木 木
Andi Rueckel
木 木 木
Markus Kison — Pulse
Free Projects
Heutzutage entdeckt man Emotionen nicht nur in unseren Körperteilen oder denen von höher entwickelten Tieren. Sie eilen auch durch ein anderes Netzwerk, das nicht aus Nerven und Synapsen besteht, sondern aus Kabeln und Servern. Im Internet fügen sich Bauelemente, die sich selbstständig entwickeln, zu einem komplexen, kontinuierlich heranwachsenden System zusammen. Dieses ist weit mehr ist als die Summe seiner Teile und deshalb sehr ähnlich einem Organismus. Die biochemischen Sinne, die dieses "Super-Nervensystem" ansteuern sind "menschliche Rezeptoren". Indem wir niederschreiben, wie wir uns gerade fühlen, z. B. auf einem Weblog, bekommt das Internet eine Art von mentalem Zustand. pulse fängt diesen momentanen Gefühlszustand ein und gibt ihm eine physikalische Erscheinung. In Echtzeit erweckt das Internet ein Objekt zum Leben, das alle Gefühle repräsentiert, die ein Mensch fühlen kann, weil es nach Robert Plutchik's Emotionstheorie gestaltet wurde. Andererseits erinnert das organische Material des Gummibaumes, eingebettet in einen medizinischen Apparat und verzerrt von Operations-Fäden, an frühere Versuche Leben zu erschaffen, wie z.B. an Mary Wollstonecraft Shelleys Roman "Frankenstein". Die momentane Fixierung auf so genannte "emerging technologies" scheint recht ähnlich zur Technophilie des 19. Jahrhunderts.
Technologieerläuterung pulse visualisiert live die neuesten emotionalen ä:ußerungen, die auf privaten Weblog Gemeinschaften wie blogger.com geschrieben werden. Die Weblog Einträge werden dabei mit einer Liste von Emotionen verglichen, die sich auf die "Psychoevolutionäre Emotionstheorie" (1980) von Robert Plutchik bezieht.
Plutchik beschreibt in dieser acht menschliche Grundemotionen: Freude, Vertrauen, Angst, überraschung, Trauer, Ekel, ärger, Antizipation. Er hat ein Diagramm entwickelt in dem er aus diesen acht Grundemotionen, zusammen mit ihren abgeschwächten und verstärkten Varianten, einen dreidimensionalen Kegel formt, der aus 24 Flächen besteht. Dieser Kegel ist die Grundform des Objektes pulse, welches sich in die 24 Richtungen der verschiedenen Emotionen ausdehnen kann. Jedes mal wenn eine Emotion, oder ein Synonym davon, in einem neuen Blog Eintrag gefunden wird, verändert das Objekt seine Form dahingehend, daß das neue Volumen einen Teil der aktuellen Gefühlslage des Internets widerspiegelt.
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