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Erik Freydank
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Frederic Brodbeck
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*WAAW

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Lorenz Raab
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Akitoshi Honda
Artificial Appetizer

Elisa Storelli
Assemblaggio N1

Julius Fuehrer
A Thousand Seeds or the Right to Becoming

Merani Schilcher
autoantibody.3 – Destruction of Self

Frederic Gmeiner
Bericht über R.

Alexander Hahn
Bioinformatics: Nature’s superiority over binary computing

Susa Schmid
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Bruno Gola
Bruto

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Bubbles

Tim Horntrich
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Hsiao Li-Chi
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David Reitenbach
convincing ideas

Jens Wunderling
default to public

Constantin Engelmann
Der Kopist

Valerian Blos
Design as Restriction / Restriction as Design

Özcan Ertek
Devil's Rope: On a Journey of No Return

Sven Gutjahr
Diaries of Alvin Fredriksøn

Tim Horntrich
DropingNews

Robin Woern
Ephememorion

Orlando Helfer Rabaça
Footprint²¹³

Julian Netzer
GOTCHA

Erik Anton Reinhardt
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Stephan Sunder-Plassmann
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Martin Kim Luge
Hear the grass growing

Christopher Hoehn
How It Was(n't)

Tim Horntrich
ICSY TK 5000

Julius von Bismarck
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Willy Sengewald
Jammer Horn

Florentin Aisslinger
Living with Matter

Monika Hoinkis
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Merani Schilcher
Make Me A Weapon – Destruction of Context

Julia Rosenstock
Meadow of carnivore plants

Frederic Gmeiner
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Merani Schilcher
Mephista – Destruction of Other

Ying Chen
My queer body, my ownership

Piet Schmidt
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Fang Tsai
Nahweh: the Unreachable

Nicenboim Iohanna
Objects of Research

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Palio

Vinzenz Aubry
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Hye Joo Jun
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Markus Kison
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Kilian Kottmeier
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Tagebilder

Stephan Sunder-Plassmann
The Beauty of Oppositions

Andreas Schmelas
The Space Beyond Me

Julius von Bismarck
The Space Beyond Me

Andreas Schmelas
The Visible Invisible

Paul Kolling
thing <ser. no.>

Elisa Storelli
This machine will not switch herself off

David Löhr
Titan

Niklas Söder
Unstable Trajectories

Tilman Richter
Wall of Distribution

Tilman Richter
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Tilman Richter
Wall of Tendencies
Andi Rueckel
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Andi Rueckel
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Andi Rueckel
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Özcan Ertek — Devil's Rope: On a Journey of No Return
Free Projects
Some snippets from the sound intervention "Devil's Rope: On a Journey of No Return" last July 2023 at the historical Steinhaus at Hardenbergstraße 33. Reflecting on the venue's rich history, war damage and then subsequent restoration set the stage for the exploration of the space by interacting with the resonant frequencies of the wire and playing with the reverberation of the space. Sculpting a sonic barrier and sound wall that enveloped the audience.
For over a century, barbed wire has been utilized extensively to demarcate territorial boundaries and define spaces, shaping identities. Thanks to its success in deterring human bodies, it has become an emblem of border(ing). „Devil‘s Rope“ employs barbed wire as a medium to contemplate the concept of borders and the intricacies of human mobility. It calls for a reflection on the interplay between the body, borders, sound, and space, highlighting the multifaceted nature of these issues.
- Devil’s Rope has been shown in a different forms in and outside of Berlin, new experiments/ documentations on the way.
For the full performance; ozcanertek.com
