Free Projects
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Erik Freydank
Breitscheidplatz

Frederic Brodbeck
0..1

En Kitani
*WAAW

Ying Chen
Absconding

Lorenz Raab
Analoge Brücke

Akitoshi Honda
Artificial Appetizer

Elisa Storelli
Assemblaggio N1

Julius Fuehrer
A Thousand Seeds or the Right to Becoming

Merani Schilcher
autoantibody.3 – Destruction of Self

Frederic Gmeiner
Bericht über R.

Alexander Hahn
Bioinformatics: Nature’s superiority over binary computing

Susa Schmid
Blickskulpturen / Gaze Sculptures

Bruno Gola
Bruto

Ying Chen
Bubbles

Tim Horntrich
Clock Choc

Hsiao Li-Chi
Coffee And Kitty

David Reitenbach
convincing ideas

Jens Wunderling
default to public

Constantin Engelmann
Der Kopist

Valerian Blos
Design as Restriction / Restriction as Design

Özcan Ertek
Devil's Rope: On a Journey of No Return

Sven Gutjahr
Diaries of Alvin Fredriksøn

Tim Horntrich
DropingNews

Robin Woern
Ephememorion

Orlando Helfer Rabaça
Footprint²¹³

Julian Netzer
GOTCHA

Erik Anton Reinhardt
Graphic Design

Stephan Sunder-Plassmann
Hacking Memorials

Martin Kim Luge
Hear the grass growing

Christopher Hoehn
How It Was(n't)

Tim Horntrich
ICSY TK 5000

Julius von Bismarck
Image Fulgurator

Willy Sengewald
Jammer Horn

Florentin Aisslinger
Living with Matter

Monika Hoinkis
Living with Things

Sebastian Wolf
lovesmenot

Andreas Schmelas
Machines At Work

Merani Schilcher
Make Me A Weapon – Destruction of Context

Julia Rosenstock
Meadow of carnivore plants

Frederic Gmeiner
Memory Shapes

Merani Schilcher
Mephista – Destruction of Other

Ying Chen
My queer body, my ownership

Piet Schmidt
möve

Fang Tsai
Nahweh: the Unreachable

Nicenboim Iohanna
Objects of Research

Bill Hartenstein
Palio

Vinzenz Aubry
pendel 1

Hye Joo Jun
Phantom Limb

Markus Kison
Pulse

Kilian Kottmeier
Resource forecast

Felix Worseck
Subordination/Unterordnung

Frederic Brodbeck
Synthetic Flurry

Stephan Sunder-Plassmann
Tagebilder

Stephan Sunder-Plassmann
The Beauty of Oppositions

Andreas Schmelas
The Space Beyond Me

Julius von Bismarck
The Space Beyond Me

Andreas Schmelas
The Visible Invisible

Paul Kolling
thing <ser. no.>

Elisa Storelli
This machine will not switch herself off

David Löhr
Titan

Niklas Söder
Unstable Trajectories

Tilman Richter
Wall of Distribution

Tilman Richter
Wall of Support

Tilman Richter
Wall of Tendencies
Andi Rueckel
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Andi Rueckel
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Andi Rueckel
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Christopher Hoehn — How It Was(n't)
Free Projects
How It Was(n't) is a real-time-simulation-video-installation. It calculates a view into the simulated sky of the past. Using recorded weather data, the sky is reconstructed and simulated at the moment of viewing at the location of the exhibition from 20 years ago.
How It Was(n't) is an exploration of digital image cultures in simulation and their use as an instrument of virtual empiricism in knowledge production. Simulation models serve to predict phenomena. How It Was(n't) inverts this vector and simulates the model of a CGI past.
How It Was(n't) was also a cultural and art historical engagement with the subject of cloud representation. From the symbolism of transcendence and eternity in ancient painting, to the capture of an ephemeral and fleeting natural phenomenon in modernity, to the technicised notion of clouds in the digital present.
M.A. Graduation Project
How It Was(n't)
2020
Realtime-Simulation-Video-Installation
4 Screens, PC, Software, Steel
170×67×67cm
supervised by Prof. Joachim Sauter, Prof. Jussi Ängeslevä, Prof. Dr. Kathrin Peters, Prof. Alexander Peterhänsel






