Mirror: Material, Metaphor, Medium
Summer 2018
Alix Stria
:-)
Christopher Hoehn
A.I. Buddha
Christopher Hoehn
bent stainless steel
Alix Stria
Ceci n’est pas un miroir.
Julius Winckler
Chaotische Symphonie
Astrid Kraniger
Citizen Mirror
Julian Netzer
Diegetic Mirror
Sebastian Wolf
drawhearts
Astrid Kraniger
Eikasía / Is This Real?
Piet Schmidt
Encounter
Julian Netzer
je, moi et nous
Marcel Haupt
Le Je N’est Pas Le Moi
Piet Schmidt
Mirrored Reality
Julius Fuehrer
self-reflective mirror
Christopher Hoehn
The Fifth Wall
Andy King
There Are No Girls On The Internet
Andy King — There Are No Girls On The Internet
Mirror: Material, Metaphor, Medium — Summer 2018
Essay on the role of misogyny in the rise of the alt-right. Published as a single-copy, pocket hard-back. Link to PDF will be available soon, stay tuned.
"The inappropriateness of memes found on 4chan is addictive: one cannot help but go deeper into the rabbit hole to see if it has an end. This is the main appeal of anonymous online platforms that encourage shit-posting: every meme has to be brought to its most violent conclusion, or suffer the risk of being ignored and perishing. As one scrolls down an endless aisle of memes featuring anthropomorphic anime girls casually referencing the Holocaust, one cannot help but assume a heightened level of irony. The comment sections reveal breathless discussions of potential future targets for high school shootings. In between memes, a user rages at Rodger for not attempting to break into the sorority. Others scoff at the low kill count despite Rodger’s significant wealth and access to guns. Someone produced a scoresheet in which high-school shooters were pitted against each other and graded. It was becoming increasingly hard to tell the difference between irony and sincerity. Andrew Anglin, editor of the neo-nazi Daily Stormer website, explains that: "In an age of nihilism, absolute idealism must be couched in irony in order to be taken seriously. This is because anyone who attempts to present himself as serious will immediately be viewed as the opposite through the jaded lens of our post-modern milieu." The interplay between irony, sincerity and trolling became the defining feature of the alt-right’s steady rise over the next few years — a political movement that Elliot Rodger did not belong to, but nevertheless a movement that would soon find an opportunity in the armies of disillusioned men like him."