Die Zeit für Nettigkeiten ist vorbei
Summer 2024
En Kitani
All About Your Base
Özcan Ertek
Birds on the Wire
Jonas Nechleba
blood sweat and tears
Clemens Fischer
Chainsaw Camera
Lukas Esser
Doris
Ana Terzieva
Happy Ending
Richard Ley
Many Men Go Fishing All of Their Lives Without Realizing That It's Not the Fish They Are After
Bill Hartenstein
Rotary Subwoofer
Levin Hu
Sailing through Light Fading to Night
Tristan Wheeler
Tandems Drawings: Splicing a Sampler
Bill Hartenstein
TIK'ERS GONNA TOK
Tristan Wheeler
umbrella, 16.13339614868164
Stefanie Bálint-Gruber
what if we followed each other's pheromones in the ant death spiral??
Adel Akram Alameddine
Why Noise Really Matters (WIP)
Tristan Wheeler — umbrella, 16.13339614868164
Die Zeit für Nettigkeiten ist vorbei — Summer 2024
This project in a continuation of my dancing bird prototype from Winter 2024 which came from an ongoing exploration of new dynamics for interfacing, performing, and engaging with distributed image models. Such models are often opaque—both in their internal operations and in the networks through which they function.
For this project, I chose ‘attention’ as the guiding metaphor, interpreting how vision models select and interpret visual information. By structuring the work around a ‘signal-receiver’ dynamic, the kinetic actor (an animatronic bird) continuously ‘performs’ for an observing entity (camera/vision-model), actively ‘adapting’ its gestures and behavior to achieve stronger resonance.
Through materializing the usually distributed source of images into a kinetic, performative entity, and simplifying the framework of the model, the project seeks to uncover previously unseen contingencies and foster novel forms of interaction and understanding.