Özcan Ertek
I am an artist from Istanbul based in Berlin who has professional interest in media and politics.
Acoustic Horizon
Island of things — Summer 2021
Acoustic Mirror
New Wilderness (Course) — Summer 2021
Air Sculptures
Designed Uncertainty (Course) — Winter 2020
Coffee Chronicles
Matters of thinking (Course) — Summer 2022
Das Loop
Poetics of Repetition (Course) — Winter 2019
Devil's Rope: Between Refuse and Refuge
Genius Loci — Winter 2022
Devil's Rope: On a Journey of No Return
Free Projects
Future Visioning
Carte Blanche — Summer 2022
Glocken und Kanonen.
Time Apparatus (Course) — Winter 2021
Melting Soundscapes
Micro/Macro (Course) — Summer 2020
The Devil's Rope - The Encounter
Legacy — Winter 2021
Özcan Ertek — Devil's Rope: Between Refuse and Refuge
Genius Loci — Winter 2022
kinetic-interactive sound installation
-barbed wire, turnbuckle, speaker, amplifier, MAX, arduino, microphone stand-
For over a century, barbed wire has been utilized extensively to demarcate territorial boundaries and define spaces, such as fields, pastures, urban areas, factories, military barracks, and countries. "Devil's Rope: Between Refuse and Refuge" employs barbed wire as a medium to contemplate the concept of borders and the intricacies of human mobility.
Using barbed wire and infrasound frequencies below human hearing (0-20Hz), the asymmetrically arranged interactive installation intensifies the visual, acoustic, and situational elements of borders, drawing visitors into an atmosphere of tension. A counter discreetly tracks the number of visitors, and as the audience grows, the vibration frequency and intensity of the wires adjust, symbolizing the shifting dynamics of movement and migration. In doing so, it creates a symbolic micro space that brings together the tangible reality and the complex challenges posed by a world grappling with mobility crises. The installation invites re-examination of the interplay between the body, borders, sound, and space, highlighting the multifaceted nature of these issues.
Production Support: Erik Anton Reinhardt and Fang Tsai