Aura
Winter 2016
![preview image of 3D Selfie Stick](https://newmedia.udk-berlin.de/media/pages/students/chen-hsiang-fu/2016-ws-1/1489297834-1573467412/thumb.jpg)
Chen Hsiang Fu
3D Selfie Stick
![preview image of A(.I.) Messianic Window](https://newmedia.udk-berlin.de/media/pages/students/reimann-dubbers-theresa/2016-ws-3/1489297834-1573467412/thumb.jpg)
Theresa Reimann-Dubbers
A(.I.) Messianic Window
![preview image of BeuysDIY](https://newmedia.udk-berlin.de/media/pages/students/wohlleber-max/2016-ws-2/2637494483-1573467412/thumb.png)
Max Wohlleber
BeuysDIY
![preview image of Bilderflut](https://newmedia.udk-berlin.de/media/pages/students/wohlleber-max/2016-ws-1/1489297834-1573467412/thumb.jpg)
Max Wohlleber
Bilderflut
![preview image of Dionysus <-> Satyr: A Metaphorical Reunion](https://newmedia.udk-berlin.de/media/pages/students/reimann-dubbers-theresa/2016-ws-2/1489297834-1573467412/thumb.jpg)
Theresa Reimann-Dubbers
Dionysus <-> Satyr: A Metaphorical Reunion
![preview image of From Blank](https://newmedia.udk-berlin.de/media/pages/students/chen-hsiang-fu/2016-ws-3/1489297834-1573467412/thumb.jpg)
Chen Hsiang Fu
From Blank
![preview image of Hero with a Thousand Faces](https://newmedia.udk-berlin.de/media/pages/students/king-andy/ws-2016-k2/1008235034-1573467412/hero_1.jpg)
Andy King
Hero with a Thousand Faces
![preview image of IAE_Haikus](https://newmedia.udk-berlin.de/media/pages/students/king-andy/2016-ws-k3/1729386255-1573467412/banner2square.jpg)
Andy King
IAE_Haikus
![preview image of Momento Mori](https://newmedia.udk-berlin.de/media/pages/students/chen-hsiang-fu/2016-ws-2/1489297834-1573467412/thumb.jpg)
Chen Hsiang Fu
Momento Mori
![preview image of Mountains in Rain](https://newmedia.udk-berlin.de/media/pages/students/hsiao-li-chi/2016-ws-2/1489297834-1573467412/thumb.jpg)
Hsiao Li-Chi
Mountains in Rain
![preview image of My Very Own Personal Louvre](https://newmedia.udk-berlin.de/media/pages/students/king-andy/2016-ws-k/3139835157-1573467412/aura-square.jpg)
Andy King
My Very Own Personal Louvre
![preview image of On Behalf of Deterioration](https://newmedia.udk-berlin.de/media/pages/students/oneill-lugh/2016-ws-2/2637494483-1573467412/thumb.png)
Lugh O’Neill
On Behalf of Deterioration
![preview image of Portrait](https://newmedia.udk-berlin.de/media/pages/students/hsiao-li-chi/2016-ws-1/1489297834-1573467412/thumb.jpg)
Hsiao Li-Chi
Portrait
![preview image of rePRESENT rePLACE rePRODUCE](https://newmedia.udk-berlin.de/media/pages/students/reimann-dubbers-theresa/2016-ws-1/1489297834-1573467412/thumb.jpg)
Theresa Reimann-Dubbers
rePRESENT rePLACE rePRODUCE
![preview image of The Aura Harvester](https://newmedia.udk-berlin.de/media/pages/students/blos-valerian/2016-ws/1489297834-1573467412/thumb.jpg)
Valerian Blos
The Aura Harvester
![preview image of The Veil of St. Veronica plc](https://newmedia.udk-berlin.de/media/pages/students/oneill-lugh/2016-ws-1/2637494483-1573467412/thumb.png)
Lugh O’Neill
The Veil of St. Veronica plc
![preview image of Yves Klein Jigsaw Puzzle](https://newmedia.udk-berlin.de/media/pages/students/king-andy/2016-ws/1891299625-1573467412/yves_klein_square.jpg)
Andy King
Yves Klein Jigsaw Puzzle
![preview image of ∞EXPO](https://newmedia.udk-berlin.de/media/pages/students/asisi-elias/2016-ws/1489297834-1573467412/thumb.jpg)
Elias Asisi
∞EXPO
Lugh O’Neill — On Behalf of Deterioration
Aura — Winter 2016
‘On behalf of Deterioration’ addresses the superficial element of the abstraction of time and its representation, the illustration of a story upon its earthly existence, and presents Virtual Reality as a medium belonging to a long tradition of attempts made at capturing or framing the intangible essence of time, its transience, ephemerality, inevitable deterioration and renewal.
Each such attempt toys with the superficiality of depiction. The reality and integrity of the addressed object is overlooked by whatever endeavours are made for depicting its timely existence on its behalf.
The kintsugi technique for example, represented here in VR, pays homage to a deteriorated object by painting the seams of the objects reassembled parts in gold - this aim to illustrate the object’s earthly existence and fatality betrays the object’s essence and fails to conjure the integrity of its real presence.
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