Die Zeit für Nettigkeiten ist vorbei (Reloaded)
Winter 2024
Maxim Tur
Gauna ST
Ana Terzieva
I Wander
ShushiyaZhang
JENSEITS
Barovič Lukas
maybe plants and machines want to be friends
Jessi Dehne
OUTSOURCING MY DOOMSCROLLING TO THE WIND
Sofie Fink
ROUND 2
Tobias Flindt
shards
Aaron Schwerdtfeger
Sit Down And Close Your Eyes
Jessi Dehne
Stain
Maxim Tur
Swagtober
Clemens Fischer
Tag 1
Tristan Wheeler
umbrella, 16.1333
Tobias Flindt — shards
Die Zeit für Nettigkeiten ist vorbei (Reloaded) — Winter 2024
Traversing the city — Sights of vacant train tracks - Recurring structures - A forest of power masts and transmission lines — A network of paths — Converging and diverging — A machine distributing its elements — Like blood running through veins — Continuously in motion — Accelerating and decelerating — Both clockwork and organism — Frequencies resonating throughout — Percussive sounds — Emerging and disappearing — Time intervals create rhythm — Views through the window — Space shattering into shards
Photographs of public transport infrastructure are laser engraved onto acrylic glass sheets. Field recordings of moving trains are distributed across the shards. Sound exciters cause the glass to reverberate. Audio fades from one speaker to another resembling the motion of trains.