Legacy
Winter 2021
hayate kobayashi
134万人の口へ / To all the 1,344,900 mouth,
Felix Müller
Bark Beetle Guerilla
Erik Anton Reinhardt
How to?
Ahmed Isamaldin Mohamed Ahmed
Legacy Of Exile
Zoe Spehr
Lets get crabby!
Jens Tiemann
make fire!
Alexander Hahn
Panta Rhei - The Legacy of Growth
Özcan Ertek
The Devil's Rope - The Encounter
Maxim Tur
We want all Birds to fly
Özcan Ertek — The Devil's Rope - The Encounter
Legacy — Winter 2021
Devil’s Rope: The Encounter
kinetic-interactive sound installation
-barbed wire, turnbuckle, speaker, amplifier, MAX, arduino, microphone stand-
‘’It’s the best fence in the world. As light as air. Stronger than whisky. Cheaper than dust. All in steel and several miles long. The cattle haven’t been born that can get through it. Gentlemen, take up the challenge and bring your cows.’’
—John Warne Gates, barbed-wire merchant, Texas, 1870s
For over a century, iron barbed wire has been used almost everywhere: around fields and pastures in the country, in the city, on walls or fences of factories, around military barracks and even private residences. It has always been efficient enough to perform its designated tasks: to define space and to establish territorial boundaries. “Devil’s Rope: The Encounter” intend to reflect on concept of borders. Using barbed wire as a component, it monitors border resonances and aims to sonify the complexity of human mobility. As viewers approach the barbed wire, the sensor detects their presence and alters the frequency at which the wire vibrates. This dynamic effect serves as a metaphorical representation of the audience's proximity to the complexities and resonances of the borders.